Civil Rights Essays

Civil Rights Essays Civil Rights Essay Civil Rights Essay Name: Lecturer: Course: Date: In % 4/4 you can beam 4 quavers at the beginning or end of the bar. * In ANY time signature use a semibreve rest for a whole bar of silence. * If there are 3 beats in a bar (3/4, 3/2, 9/8, 3/8) use separate beat rests. * If there are 4 beats in a bar (4/4, 4/2, 12/8) you can use a 2 beat rest at the beginning of the bar or the end of the bar but not across the middle. * In 3/8 Join all quavers semiquavers. For dotted crotchet beats only use a crotchet rest at the beginning of the beat (in place of the note, not the dot). Beam or bracket groups of quaver triplets including rests to make crotchet beat. Use nly quaver rests in these triplets. Anacrusis Music with an anacrusis (or up-beat) starts on a weak beat part way through a bar. The first strong beat (down beat) is on beat 1 after the bar line. The last bar wont be a full bar, it will be missing the length of the anacrusis. Phrases and sections of songs can also start on an upbeat or anacrusis, starting and finishing part way through a bar. Key Signatures Writing Scales Melodic Harmonic Minors Read the question carefully and double check treble/bass clef, going up/down, what type of notes to use, key signature/accidentals, double bar line, stems going in the correct direction. Natural minor = uses Just the notes of the key signature. Harmonic minor = key signature + raise the 7th note going up and down. Melodic minor = key signature + raise the 6th 7th going up, (going down make them the same as the key signature, like a natural minor). Arpeggios Broken Chords Check the question carefully. Is it going up/down, what type of notes? Bass/treble, key signature/accidentals. Dont forget with broken chords to check how many notes in each pattern (3 or 4) and to add bar lines if there is a time signature. Work out the letter names of the chord first and write them in the margin, be careful to use only hese notes. nd Inversion Chords Tonic Dominant Triads Finding Mistakes CIRCLE the 5 mistakes before you start trying to write out the correct version. Check: Clef, key signature time signature (in that order). Grouping of notes rests and remove unnecessary ties. Spelling and placement of words. Dynamics go below the staff directly under the note they change on. Articulation marks go above or below the note head (not the stem). Double bar line, repeat marks, stems of notes and any other symbols. Intervals To work out if an interval is Major or Minor look at the lowest note of the pair and hink of its major scale (never use the minor scale! . If the top note is in that scale it is major, if it is a semitone lower than the note in the scale it is minor. Remember 4ths, 5ths octaves are called Perfect, and two of the same note is a unison. Real Tonal Sequences Real Sequences repeat the original tune using the exact intervals (major/minor or tone/semitone) up and down. Tonal Sequences repeat the original tune going up and down the same number of notes (e. g. only using the number of the intervals between the notes but not worrying if it is major/minor tone/semitone). They use the notes of the key without adding ccidentals. Make sure you draw the clef, key signature time signature correctly. Check each letter name, dont Just count up or down! Space your notes correctly, the easiest way to do this is to line up each note bar line directly under the original tune. Writing a Melody to a given Bass Line Make it sound like a tune try to sing it in your head. In any register means you can use low or high notes of these letter names. Make sure you use the notes of each chord and no others. For each bar there are three possible notes, you dont have to use all 3! Avoid intervals of consecutive octaves 5th between the bass your tune. End on the tonic for the whole last bar the note before it a step up or down. Try to move by step over the bar lines from one chord to another. Make a nice shape by using some repeated notes and not using lots of Jumps. Keep within the range of an octave. Writing a Bass Line Keep it really simple!! You are only allowed to use the root of the chord, i. e. its naming note (for C chord use only the note C). Writing 4-Part Chords Work out the root of the chord write this in the bass first. Use the 3 notes of the chord for the other parts in any order you like. Check that it is the root you have used wice and used the other 2 notes once. Keep the tenor part high and dont allow more than an octave between the tenor alto, or the alto soprano parts. Make sure your stems point correctly (soprano tenor up, alto bass down). Dont use leger lines below the bass, these notes are too low to sing. Dont use leger lines above the soprano, these notes are too high to sing. Dont forget the raised 7th in chord V in a minor key. Analysis and Terms Signs Learn the terms signs flash cards for Grades 1, 2 3. Try to imagine how the music would sound, this is what the questions are about.